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INTRODUCTION
TO ME ice readily suggests imagery. What is imagery? It’s the recurring details in your poems or prose pieces that create unity of tone and atmosphere. Use an image once, then use again and again in various ways. Imagery usually operates metaphorically. You don’t have to create the metaphor the reader does. An emotionally cold character is not said to be icy. He is shown against a frosted-over window, his face blue. Later in the same piece, perhaps, someone feels an ice pick at their heart, there’s a shivering dog, a cold ham, hungry guests skating to the buffet. We often talk of an image system, which means that a single story or poem will explore a variety of related imagery.
In Gillian Allnutt’s poem, ‘Blackthorn’, a poem I believe to be about the poet’s own soul the image system details needlework, sewing and weaving. At first the imagery seems to have nothing to do with the poem’s meaning, but works to illuminate it in a most surprising way.
'Blackthorn' by Gillian Allnutt
I like to imagine/ The stars are something other than sewing machines.
I am rooted, remote.
I guard the white embroidered whirlpools/ Of the wind.
Beyond the muted talk of angels there are quick black holes/ Like poems. In my heart
I hear the creak and shuttle of the earth’s old bones,/ The toil and spin.
I am the wake, the needle and the
well/ Of wondering.
In ‘Pretty Ice’, a short story by Mary Robson, the slippery white stuff operates in a more obvious, yet powerful way. The story is about the end of a relationship with a man named Will. The imagery gives us a dangerous feeling of things sliding and skidding away.
The saplings in my little yard were encased in ice. There had been snow all week, and then an ice storm. In the glimmering driveway in front of my house, my mother was peering out of her car… My yard was a frozen pond , and I was careful on the walkway…
Out on the street, she accelerated too quickly and the rear of the car swung left. The tires whined for an instant on the old snow and then caught. ‘This is going to be something,’ my mother said. ‘Will sure picked an awful day to come.’
Ice permeates this story, but it’s not a story about ice. Ice is only used as an apt image system throughout. There’s even a lot of white things mentioned in this story: an ivory Mont Blanc pen; mother’s minty-white hair rinse.
An image system gives depth to your writing. Sometimes it may be impossible to start out with such imagery. But once you discover it (or impose it) you can produce a draft that soaks the work in it. Often it’s interesting to overdo the imagery, then cut it back.
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EXERCISES
Exploring imagery
#1
Add ice to something you’ve already written
Write an intense bit of prose about the break-up of a relationship. Intense prose can either develop into a poem or a sustained prose piece (you may want to write this as a scene). Don’t attempt any imagery in this first draft. In a second draft add ice imagery. Ice and emotion work well together. First, create imagery by listing, in note form, some attributes of ice: smoothness, coldness, hardness. Now think about the colour of ice and list other things that are that colour: chalk, bridal gowns, opals. Objects associated with ice: picks, highball glasses, skates. Actions associated with ice: skiing, crunching, slipping. See what happens if you add any of these attributes, colours, objects and/or actions to your first bit of writing. See what happens if you put these images in everywhere. (The action words can replace your more ordinary verbs. For example: She crunched away from him. But he slid her into his arms again.) Overdo it. Then cut back.
#2
Melt ice
You can also add ice imagery to a passionate piece of writing about falling in love for instance, creating an unusual, paradoxical image system. In the first verse of her poem, ‘Icicles Round A Tree in Dumfrieshire,’ Ruth Padel changes ice into fire.
‘Icicles Round A Tree in Dumfrieshire’ by Ruth Padel
We’re talking different kinds of vulnerability here.
These icicles aren’t going to last for ever
Suspended in the ultra violet rays of a Dumfries sun.
But here they hang, a frozen whirligig of lighting,
And the famous American sculptor
Who scrambles the world with his tripod
For strangeness au naturel, got sunset to fill them.
It’s not comfortable, a double helix of opalescent fire.
#3
Crack ice
Use ice as a metaphor. Write a poem or a piece of prose in order to understand, make sense of, or crack, one of the following statements:
My lover is an ice chest.
My lover is a cold snap.
My lover is an ice age.
My enemy is an ice cap.
My enemy is an ice pick.
My enemy is dry ice.
My best mate is an iced bun.
My best mate is an ice cube.
My best mate is an ice skate.
I am an ice floe
I am a deep freeze.
I am frozen water.
I am a car skidding on ice.
#4
Make more ice
Get out your dictionary in order to develop an ice imagery bank. When I look ice up in the dictionary I’m interested to see all the words ice precedes and I’m tempted to make up some of my own some of the following you won’t find in your dictionary.
Ice pearls, ice keys, an ice apron (which is a real thing meaning a structure on the upstream side of a bridge pier to break, or ward off, floating ice), ear ice, ice masks, an ice eater. Some of these terms are so unusual, so visual, so suggestive of strange things, they may stimulate writing in themselves and provide a place to begin. Write a scene or a poem describing, finding or losing an ice pearl or an ice key; putting on an ice mask; suffering from ear ice. |
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