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CARMEN CALLIL CANDIDA CLARK BERNARDINE EVARISTO ELIZABETH BUCHAN JILL DAWSON

EDITORIAL

Money isn’t everything

Splashy headlines about advances the size of telephone numbers and the swelling coffers of J K Rowling and Dan Brown give the impression that writers only drink champagne and eat the finest caviar. Sadly, as my feature on page 9 reveals, most writers’ budgets stretch to beans not Bollinger.

Far from the ‘six-figure advances’ trumpeted in newspapers, most receive less than £12,000. When one considers the time it takes to write a book, as historian Antony Beevor notes, they’d be better off working in Sainsbury’s. The economic reality of writing is that, for most, giving up the day job is not an option.

Should we ever write with a chequebook in mind? No! Writing is about craft and creativity, and without a passion for either we risk churning out flat prose that will never light the fire of a reader’s imagination. But that doesn’t mean we should be ignorant of commercial realities. In fact, being clear-minded on that count could help you win the literary lottery, like Mslexia subscriber Diane Setterfield.

This month’s issue of Mslexia, which I am guest editing while Debbie Taylor is away publicising her new novel and touring with the Mslexia Roadshow, is packed with information that should help you understand the market better (such as Debbie’s fascinating guide to turning your life into fiction) and produce a manuscript that will wow an editor (see Julia Bell’s Dressed to Thrill). Whether you get that big advance or not, I hope it inspires you to write for your life.

Danuta Kean
Guest Editor

  Contents: Issue 29
APRMAYJUN 2006


Special features

AGENDA:
Don’t give up the day job
Danuta Kean reports on how authors are losing out in the scramble for book profits

THE MSLEXIA INTERVIEW:
Verse-novel pioneer Bernardine Evaristo talks to Melanie Ashby
Read from the interview
Read the Author's Method
Browse interviews

OTHER FEATURES:
Dress to thrill
How to make a good first impression with your manuscript, by Julia Bell

Trade and tested
Jill Dunning on how trade magazines can kick-start a career in journalism

Stretching the truth
If you’re planning a memoir, says Debbie Taylor, why not write a novel instead?


New Writing
CHILDREN'S VOICES
poetry and prose selected by novelist Jill Dawson
Read new writing 29
Browse new writing


Regulars

STARTERS
Letters
Curious Incidents
News

GUIDELINES
Diary of a literary agent
The joy of
radio writing
Read it and weep
The lowdown on
corporate copywriting
10 top tips:
self publish with style
Money matters:
pensions

CREATIVITY
The Mslexia MA in Novel Writing
Part 4: Point of view, with Jenny Newman
First draft Candida Clark
Making a poem Kathleen Jamie talks to Kate Clanchy
Bottom drawer What Elizabeth Buchan never got published
Write your self with Celia Hunt
Keep going with Bekki Hill
New Writing Exercise: TRAVELLING
with Margaret Wilkinson
Try this workshop
Browse workshops

BOOKS
How to write a bestseller... Body Double by Tess Gerritsen, analysed by Debbie Taylor
Reviews: Lit-lite, Male leads, Short story anthologies. One of a Kind, Spy novels for girls, Writers' Bookshelf
Literary Landmarks: Maya Angelou's I know why the caged bird sings, profiled by Becky Darlington
Independent press: Creme de la crime
For more on BOOKS this season, see Top Reads

Carmen Callil's Bedside Table

DIRECTORY
Competitions, submissions requests, grants, courses, events, contacts, venues
Add me to the Mslexia listings
magazine cover

Browse issues

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