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EDITORIAL
Short cuts to success
AN estimated 110,000 people signed up for some kind of creative writing course in the UK last year. And the numbers are growing at every level from evening class to postgraduate. Twelve years ago only eight universities here offered postgraduate degrees in creative writing. Today that number has increased to 85.
But can writing be taught? Or are all these people being taken for a ride? The lead feature in this issue of Mslexia argues that writing is an art like any other art, with principles and rules that can be learnt. This means that enrolling on a course is one of the quickest short cuts through the maze of drudgery and pain that is the writer’s life. The corollary is that many potentially great authors may waste years languishing in the creative wilderness for want of a good tutor.
That this applies as much to poetry as it does to any other form of writing was brought home to me earlier this year when I chaired the judging panel of the National Poetry Prize. I turned up fully expecting to be mystified by the debate among the erudite judges. Instead I discovered that the rules for writing a winning poem are very similar to the rules for writing a good piece of prose.
The discovery made me want to rush out and give it a go. I hope, when you read my 10 tips for winning a poetry competition, that you'll feel the same.
Debbie Taylor
Editor
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Contents: Issue 21
APRMAYJUN 2004
Special features
AGENDA:
Can writing be taught?
Good writers will out, no matter what… Debbie Taylor looks at the myths surrounding creative writing teaching
THE MSLEXIA INTERVIEW:
Queen of chick lit Jenny Colgan talks to Lorna Russell
› Read from the interview
› Read the Author's Method
› Browse interviews
OTHER FEATURES:
The sound of silence
Sara Maitland chose to break with her noisy and frenetic life and tune into silence. She explores a fresh awareness
Audio dynamite
In the second of our series on scriptwriting, producer and director Izzy Mant uncovers the magical potential of radio
How to win a poetry competition
Debbie Taylor asks competition judges to reveal the special ingredients that cook up a winning poem
New Writing
GOD
Poetry and prose selected by Michèle Roberts
› Read new writing 21
› Browse new writing
Regulars
SHORTS
Letters
Briefs 'body hair' haikus
Harangue Alex Sowerby explains how taking liberties with the truth can help even out the odds
Insider trading Editor at Fourth Estate Mitzi Angel tells us what's hot and what's not in soap box books
Make it pay small press
Ask the expert vanity presses
Sale of the season 26A by Diana Evans
Hacking it Diary of a Freelance Writer
CREATIVITY
Listen to your body clock
Psychologist Dr Elizabeth Mapstone on how to enhance creativity by becoming aware of your circadian rhythms
Write on the wild side: HORROR
with Linda Anderson
› Try this workshop
› Browse workshops
Bottom drawer What Jane Rogers never got published
First draft Emma Brockes
First principles Linda France's primer in contemporary poetry Lesson 6: Rhythm
BOOKS
How to write like... Jacqueline Wilson
Reviews: Debut short stories, Self-help books, Experimental novels, Writers on Writing, Big Books
Literary Landmarks George Eliot's Middlemarch
Independent press profile Marion Boyars
Shazia Mirza's Bedside Table
DIRECTORY
Competitions, submissions requests, grants, courses, events, contacts, venues
› Add me to the Mslexia listings
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