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EDITORIAL
IN the last three months we’ve discovered more about Mslexia readers than in three and a half years of publishing the magazine. Until now our insight has had to come from those of you who write in because they love the magazine or because we’ve irritated them for some reason.
Now we have information from 2,000 of you to digest. As a result the next issue of Mslexia will be very different to this one. The items you value will stay, of course, but those you were iffy about have already been axed and we’re designing a raft of new features for our October relaunch including four new open submission slots (see page 42).
While you’re waiting, there’s lots to savour in the current mag. The Guardian’s Sue Limb (aka ‘Dulcie Domum’) offers some pointers for writing a regular column; Sue Hepworth shadows a top literary agent to discover what she actually does all day and do you remember the Mozart Effect? Maggie Butt investigates how different kinds of music help, or hinder, creative writing. First, though, we look at how a boy with specs and a scar on his forehead took the publishing world by storm and why the ‘Potter Effect’ might have more to say about adults than about children.
Debbie Taylor
Editor
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Contents: Issue 14
Summer/Autumn 2002
Special features
AGENDA: CHILDREN'S BOOKS
The Potter Effect
J K Rowling’s got the magic touch the fourth in her Potter series broke sales records. But while some children’s books fly off the shelves, the market overall has slowed. Debbie Taylor looks at what’s happening in children’s publishing
THE MSLEXIA INTERVIEW
Novelist P D James talks to Melanie Ashby
› Read from the interview
› Read the Author's Method
› Browse interviews
OTHER FEATURES
How to keep regular Sue Limb, Guardian columnist for 13 years, on writing her own column and keeping readers and editors engaged
Sound of music
Does tribal drumming really help you write? Creative writing tutor Maggie Butt puts ‘The Mozart Effect’ theory to the test
This is your life
Memoirs are booming according to the book trade; but, asks Caroline Sanderson, what are the odds of getting your life story published?
The agent’s tale
Is it all literary lunches and champagne? Sue Hepworth spent a day with an agent to find out what it is the
New Writing
COLOUR
Poetry and prose selected by Sara Maitland
› Read new writing 14
› Browse new writing
REGULARS
• Letters
• First Person Singular Gerda Pickin on the trials of being commissioned
• News
• Getting Started…teaching creative writing
• Nuts & bolts Going self-employed, writing MAs, brain food, lettter to an agent
• The Blank Page: BABIES
with Margaret Wilkinson
› Try this workshop
› Browse workshops
• Guide to guides: Writing an Interview
• Poetic forms: Linda France's regular tutorial on the main poetic forms: Terza Rima with a specially-commissioned example by Moniza Alvi
• The Slush Pile: BBC New Writing Initiative
• Word Surgeon: Dr Ingrid K tackles a case of Lack of Direction
BOOKS
Literary analysis: Portrait of my lover as a horse by Selima Hill
Reviews: Historical novels, International novels, Debut novels, Memoirs
Small press fiction: Livi Michael dips into our box of small-press and self-published prose
Best ever books by women Stevie Davies chooses George Eliot's Middlemarch
List profile Bloomsbury
Bedside Table Tracey Emin
DIRECTORY
Competitions, submissions requests, grants, courses, events, contacts, venues
› Add me to the Mslexia listings
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