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P D JAMES SARA MAITLAND MONIZA ALVI STEVIE DAVIES TRACEY EMIN

EDITORIAL

IN the last three months we’ve discovered more about Mslexia readers than in three and a half years of publishing the magazine. Until now our insight has had to come from those of you who write in because they love the magazine – or because we’ve irritated them for some reason.

Now we have information from 2,000 of you to digest. As a result the next issue of Mslexia will be very different to this one. The items you value will stay, of course, but those you were iffy about have already been axed and we’re designing a raft of new features for our October relaunch – including four new open submission slots (see page 42).

While you’re waiting, there’s lots to savour in the current mag. The Guardian’s Sue Limb (aka ‘Dulcie Domum’) offers some pointers for writing a regular column; Sue Hepworth shadows a top literary agent to discover what she actually does all day – and do you remember the Mozart Effect? Maggie Butt investigates how different kinds of music help, or hinder, creative writing. First, though, we look at how a boy with specs and a scar on his forehead took the publishing world by storm – and why the ‘Potter Effect’ might have more to say about adults than about children.

Debbie Taylor
Editor

  Contents: Issue 14
Summer/Autumn 2002


Special features

AGENDA: CHILDREN'S BOOKS
The Potter Effect
J K Rowling’s got the magic touch – the fourth in her Potter series broke sales records. But while some children’s books fly off the shelves, the market overall has slowed. Debbie Taylor looks at what’s happening in children’s publishing

THE MSLEXIA INTERVIEW
Novelist P D James talks to Melanie Ashby
Read from the interview
Read the Author's Method
Browse interviews

OTHER FEATURES
How to keep regular Sue Limb, Guardian columnist for 13 years, on writing her own column and keeping readers – and editors – engaged

Sound of music
Does tribal drumming really help you write? Creative writing tutor Maggie Butt puts ‘The Mozart Effect’ theory to the test

This is your life
Memoirs are booming – according to the book trade; but, asks Caroline Sanderson, what are the odds of getting your life story published?

The agent’s tale
Is it all literary lunches and champagne? Sue Hepworth spent a day with an agent to find out what it is the


New Writing
COLOUR
Poetry and prose selected by Sara Maitland
Read new writing 14
Browse new writing


REGULARS
Letters
First Person Singular Gerda Pickin on the trials of being commissioned
News
Getting Started…teaching creative writing
Nuts & bolts Going self-employed, writing MAs, brain food, lettter to an agent
The Blank Page: BABIES
with Margaret Wilkinson
Try this workshop
Browse workshops
Guide to guides: Writing an Interview
Poetic forms: Linda France's regular tutorial on the main poetic forms: Terza Rima with a specially-commissioned example by Moniza Alvi
The Slush Pile: BBC New Writing Initiative
Word Surgeon: Dr Ingrid K tackles a case of Lack of Direction


BOOKS
Literary analysis: Portrait of my lover as a horse by Selima Hill
Reviews: Historical novels, International novels, Debut novels, Memoirs
Small press fiction: Livi Michael dips into our box of small-press and self-published prose
Best ever books by women Stevie Davies chooses George Eliot's Middlemarch
List profile Bloomsbury
Bedside Table Tracey Emin

DIRECTORY
Competitions, submissions requests, grants, courses, events, contacts, venues
Add me to the Mslexia listings
magazine cover

Browse issues

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