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HANIF KUREISHI KATE CLANCHY ANNE ROWSE ALI SMITH EVE POLLARD

EDITORIAL

A SPECIAL issue on men’s writing? I can see your eyebrows rising from here. Surely there’s already far too much attention paid to men’s writing, I can hear you objecting. Surely Mslexia’s been lamenting men’s dominance of the literary scene for years?

Yes, that’s true. But we have never taken a long hard (sorry) look at what all those men of letters are up to. Do men still control the policies and purse strings in publishing, for example? Deputy Editor Melanie Ashby finds out.

Do men approach the challenge of creative writing differently? Jane Rogers and Sean O’Brien argue that aspiring male authors have a few things to learn from their female counterparts – and vice versa. And isn’t it time women started to portray convincing male characters? Helen Sandler finds out what it’s like to get under a man’s skin.

Wouldn’t you like to know what kinds of books all those men out there are reading? Sarah Spiller takes a straw poll. And what on earth are they writing? I have a go at identifying what characterises men’s writing at the beginning of the 21st Century. Is there a masculine literary aesthetic? If so, can women ever hope to compete?

Debbie Taylor
Editor

  Contents: Issue 13
Spring/Summer 2002


Special features

AGENDA: MEN'S WRITING
The masculine aesthetic
Debbie Taylor looks at literary standards at the start of the new millennium. Who decides what’s good? How are those decisions taken? Is there a masculine aesthetic? And what does that mean for women’s writing?

THE MSLEXIA INTERVIEW
Novelist Hanif Kureishi talks to Melanie Ashby
Read from the interview
Read the Author's Method
Browse interviews

OTHER FEATURES
Boys will be boys
Sarah Spiller investigates the other planet that is the men’s book market – and asks a male guinea pig what he thinks.

Man handled?
Is it still men in grey suits at the top? Melanie Ashby finds out whether the gender balance in journalism and the book trade has improved, and asks how men feel about the changes.

Head to head
Top authors Sean O’Brien and Jane Rogers give their ‘view from here’ on men, women and the business of writing.

Under your skin
Helen Sandler used to enjoy writing as Jim Hardacre; she asks fellow women writers why they like to ‘cross over’.


New Writing
MADNESS
Poetry and prose selected by Kate Clanchy
Read new writing 13
Browse new writing


REGULARS
Letters
First Person Singular Harriet Rowland struggles to overcome journalist’s block
News
Getting Started…writing a biography
Nuts & bolts Getting an agent, computer tips for creatives, choosing a title and simple editing marks
The Blank Page: FAIRYTALES
with Margaret Wilkinson
Try this workshop
Browse workshops
Guide to guides: Writing for the Screen
Poetic forms: Linda France's regular tutorial on the main poetic forms: Concrete poetry with a specially-commissioned example by Anne Rowse
The Slush Pile at TalkBack productions
Word Surgeon: Dr Ingrid K tackles a case of Straining for effect


BOOKS
Literary analysis: Unless by Carol Shields
Reviews: Debut novels, Poetry, Novels, Anthologies
Small press fiction: Gillian Allnutt dips into our box of small-press and self-published poetry
Best ever books by women Ali Smith chooses Grace Paley's Collected Stories
List profile Pan Macmillan
Bedside Table Eve Pollard


DIRECTORY
Competitions, submissions requests, grants, courses, events, contacts, venues
Add me to the Mslexia listings
magazine cover

Browse issues

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